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TILLIAN
RECENT WORK
PAINTINGS
WORKS ON PAPER - SEASCAPES
WORKS ON PAPER - LANDSCAPES
MONOTYPE
WATERCOLOUR
MACRO PHOTO
COLLAGE
NIGHTDRAWING
INK DRAWING
PHOTOGRAPHY
New Blog
TILLIAN
RECENT WORK
PAINTINGS
WORKS ON PAPER - SEASCAPES
WORKS ON PAPER - LANDSCAPES
MONOTYPE
WATERCOLOUR
MACRO PHOTO
COLLAGE
NIGHTDRAWING
INK DRAWING
PHOTOGRAPHY
New Blog
RECENT WORK
PAINTINGS
WORKS ON PAPER - SEASCAPES
WORKS ON PAPER - LANDSCAPES
MONOTYPE
WATERCOLOUR
MACRO PHOTO
COLLAGE
NIGHTDRAWING
INK DRAWING
PHOTOGRAPHY
New Blog
'FALLEN TREE' (Copy) View fullsize
'DEEP END' (Copy) View fullsize
'STORMFRONT, RED ROCK' (Copy) View fullsize
'CRY OF THE BOWER' 11.2'25 "Cry of the Bower" is a visual poem of elemental grief, metamorphosis, and reverence for the natural world. A numinous encounter with Nature or the Divine. A bower often symbolises shelter, femininity, or inner sanctuary View fullsize
'FIRST CONTACT' 11.2'25 122x92cm.jpg View fullsize
“‘First Day of the Christian Sun’
 6.4'25 Acrylic on panel, 122 x 92 cm
 First Day of the Christian Sun” confronts the foundational mythos of colonization in Australia—the moment when imperial vision declared an ancient continent ‘empty’ and bathed View fullsize
'FIRST CONTACT' 2025
 Acrylic on Panel, 122 x 92 cm
 Collection of the artist In First Contact, Tillian offers an abstracted mytho-psychological retelling of the initial European incursion into the Australian continent — a violent rupture masked by View fullsize
'In the Wilderness of Lost Thoughts' (2025) Oil on panel, 122 x 92 cm “It is in the wilderness that vision begins.” — E.M. Ardent In In the Wilderness of Lost Thoughts', visionary painter Tillian leads us into a sensual and uncharted interior t View fullsize
‘Eurydice at the Gate of the Underworld’
Acrylic on panel, 122 x 90cm, 21 March 2025 In 'Eurydice at the Gate of the Underworld', Tillian stages a hallucinatory retelling of the Orphic myth through a landscape of distortion, intensity, and emotiona View fullsize
'Whispers of the Deep' (2025) 122 x 92 cm, acrylic on wood panel 'In Whispers of the Deep', Tillian presents a visionary shoreline where rising seas and trembling forests meet in a suspended, dreamlike moment. Painted in undulating bands of green, View fullsize
'PREHISTORIC LANDSCAPE' 25.3’25 acrylic on wood panel 122x92cm Rather than looking back in nostalgia, 'Pre-Historic Landscape' offers a vision of cyclical renewal. It suggests that after the Anthropocene — the human-dominated epoch — the earth wil View fullsize
'The House on the Cliff' 22.3’25 Acrylic on panel 122x90cm “The house is not built of stone or timber, but of memory and silence. It stands where the cliff leans into sky, defying gravity and reason. Its walls are painted with signals and storms. I View fullsize
'ANNUNCIATION' 7.5'25 122x90cm (contrast).jpg View fullsize
'FALLEN TREE' (Copy)
'DEEP END' (Copy)
'STORMFRONT, RED ROCK' (Copy)
'CRY OF THE BOWER' 11.2'25 "Cry of the Bower" is a visual poem of elemental grief, metamorphosis, and reverence for the natural world. A numinous encounter with Nature or the Divine. A bower often symbolises shelter, femininity, or inner sanctuary
'FIRST CONTACT' 11.2'25 122x92cm.jpg
“‘First Day of the Christian Sun’
 6.4'25 Acrylic on panel, 122 x 92 cm
 First Day of the Christian Sun” confronts the foundational mythos of colonization in Australia—the moment when imperial vision declared an ancient continent ‘empty’ and bathed
'FIRST CONTACT' 2025
 Acrylic on Panel, 122 x 92 cm
 Collection of the artist In First Contact, Tillian offers an abstracted mytho-psychological retelling of the initial European incursion into the Australian continent — a violent rupture masked by
'In the Wilderness of Lost Thoughts' (2025) Oil on panel, 122 x 92 cm “It is in the wilderness that vision begins.” — E.M. Ardent In In the Wilderness of Lost Thoughts', visionary painter Tillian leads us into a sensual and uncharted interior t
‘Eurydice at the Gate of the Underworld’
Acrylic on panel, 122 x 90cm, 21 March 2025 In 'Eurydice at the Gate of the Underworld', Tillian stages a hallucinatory retelling of the Orphic myth through a landscape of distortion, intensity, and emotiona
'Whispers of the Deep' (2025) 122 x 92 cm, acrylic on wood panel 'In Whispers of the Deep', Tillian presents a visionary shoreline where rising seas and trembling forests meet in a suspended, dreamlike moment. Painted in undulating bands of green,
'PREHISTORIC LANDSCAPE' 25.3’25 acrylic on wood panel 122x92cm Rather than looking back in nostalgia, 'Pre-Historic Landscape' offers a vision of cyclical renewal. It suggests that after the Anthropocene — the human-dominated epoch — the earth wil
'The House on the Cliff' 22.3’25 Acrylic on panel 122x90cm “The house is not built of stone or timber, but of memory and silence. It stands where the cliff leans into sky, defying gravity and reason. Its walls are painted with signals and storms. I
'ANNUNCIATION' 7.5'25 122x90cm (contrast).jpg